It’s a tale of cats and cash and murder, and has nothing to do with Australia (the title, don’t you see?) and everything to do with positioning.
Check it out, if you get a chance.
Confessions of a Semi-Professional Gad-About
It’s a tale of cats and cash and murder, and has nothing to do with Australia (the title, don’t you see?) and everything to do with positioning.
Check it out, if you get a chance.
You've got to keep writing and you must keep submitting; like falling off a bicycle or being thrown from a horse, you have to get back up and back on. Got to send rejected stories right back out to other markets.
Dreaming about writing as a profession, that was always the part I worried over; I have never been very good at rejection. But now that I am persisting, now that I am working hard to accept rejection as a necessary thing, it appears that I am faced with another stumbling block and it begins with the letter P, as well.
Patience.
Like rejection, being patient is something for which I have never had much, well, patience. I have always favored that old cartoon of the two vultures, in which one says to the other, "I'm tired of waiting; I'd rather just go kill something."
Case in point. At the moment, I have five stories that have been accepted at four publications (one is an e-zine, and three are print publications) and all five are setting, twiddling figurative thumbs, waiting for spots in future issues that range from January to September 2009.
I am grateful to Jordan and Camille at Every Day Fiction, who were the first to accept my stories, but perhaps my success there (a story each month from July through November) has spoiled me.
It has come to me that a publication that presents a story every day consumes submitted fiction at a ferocious rate, resulting in a much shorter interval between submission and appearance. That realization gives me an ever greater respect for what the folks at EDF have accomplished (and continue to accomplish) and an admiration of their persistence.
So now I have to work on patience. Perhaps I will adopt the famous little prayer from Alcoholics Anonymous. You know the one.
God, grant me the serenity
to accept the things I cannot change;
the courage to change the things I can;
and the wisdom to know the difference.
But I'd rather just go -- well, you know what I mean.
To be accurate, my story, Hair of the Dog, is one of the one hundred pieces of flash fiction selected from the three-hundred and sixty-five stories to appear in EDF during it's first year of operation.
It's a lovely book filled with great stories. If you are interested in buying a copy, hardbound or paperback, here's the link: The Best of Every Day Fiction 2008.
Writing flash fiction has done wonders for my understanding of what needs to be in a story and what is just my loose tongue and fingers. Four thousand words, and not a single one of the stories suffered. They are still the same tales; just tighter and better told.
I submitted all four; Toward Heaven Still, the longest at almost ten thousand words, went to Abyss & Apex. Its post-apocalyptic, set in what was the Upper Peninsula of Michigan, and is the tale of Apple Jack, an old man with a big green thumb and a small magic that shows him how all things fit together.
I've got acceptances back on two of them. Lyn Perry at Resident Aliens, took Anastasia, a two-hundred word piece of flash about a family reunion of sorts; Rick DeCost at The Absent Willow Review, a new venue, accepted And Bay the Moon, which suggests that jogging can be hazardous to your health.
I also got the nod from Jordan and Camille, who were so kind as to say yes to Upon the Doorsteps, my sixth acceptance at Every Day Fiction.
On the flip side, Abyss & Apex rejected Bringing in the Dead. They had nice things to say about it, but suggested that it "wanted to be a longer piece".
So, maybe not everything should be whittled down, hmm?
The anniversary was September first. A print anthology of the stories is in the works and should be available by Christmas.
Some of my favorite EDF authors have stories in the collection, too.
There's Remember from Erin M. Kinch and Aftershocks from Alex Burns. Bill Ward has two stories included; Junkyard Rats in my favorite.
And then we get to the heavy hitters.
There are three tales from Dave MacPherson, a member of the Every Day Fiction Writers' Group; my favorite is Forbidden Planet. Gay Degani also has three stories and hand's down my favorite is Spring Melt.
Kevin Shamel, Sarah Hilary and Oonah V. Joslin (who is so prolific she makes Issac Asimov look a slacker) each are represented in the collection by four stories. And they are all so good, it's impossible to pick just one as favorite.
I don't know how Jordan and Camille did it. Kevin had eight stories appear over the twelve months; if I had been selecting stories for the collection, I would have included all eight.
Anyway, I'll post when the book is available. Watch for it, buy it, enjoy it!
I am looking forward to reading stories from some of my favorite authors. We will be introduced to Krupper and Jons by Kevin Shamel on November 11; Oonah V. Joslin will work her magic November 14 with a Sleight of Hand; Sarah Hillary presents Me and the Mouser on November 17; Jens Rushing's Ars Draconia will launch on November 20; November 25, Sylvia Spuck Wrigley offers Coffee or Tea and Jason Stout's And the Well Runs Deep will round it out on November 27.
I've got one in there, too. I consider Oh, Woman of Easy Virtue a performance piece; you'll see why when you read it on November 21.
You can check out the entire month's lineup at the Every Day Fiction November Table of Contents.
It's a story that involves time travel, but that's not what it's really about. The idea came to me a couple of months ago, during a series of posts at one of the EDF forums. Someone wondered if there were any new takes on time travel, and I was goofing, jotting down silly ideas, when one of them grabbed me and whispered, "Look at me!" The result was In His Prime.
I'd loved to know what you think of it; leave a comment here or at EDF, if you would. Anyway, the link below will take you to EDF. There's a spot to leave comments there or to give the story a rating up to five stars.
I hope you like In His Prime. If not, I offer my apologies and the promise that there will be another story along tomorrow to takes its place.
Gallery Four, by Dave MacPherson, is set for October 4th. It's a sobering story we critiqued in the EDF Writers' Group. Kevin Shamel continues his run of great stories October 8th with Outlast the Stars. In addition to being a great writer, Kevin sells shamelessly funny tee-shirts at Shameless Humor.
My take on a time-travel tale, In His Prime, will appear October 16th. Alex Burns, who holds forth at Meanwhile..., will serve up Apotheosis Cake on October 20th.
My friend, Erin, who speaks so eloquently about the writer's life at Living the Fictional Dream, shows us A Million Faces on October 25th. And Sylvia Wrigley's pre-Halloween chiller, Darren Is Updating His Facebook Status, will be ready to read October 28th. This is another story that worked its way through the critiquing process at EDF Writers' Group; it creeps me out.
You can check out the entire month's lineup at the October TOC and then read the stories, every day, at Every Day Fiction.
For a time, when we lived in the Florida Keys, I drove to Miami once a month to sit with other writers and critique each others work. Even after a change in my work schedule forced me to give up that pilgrimage, I maintained contact with two of the other writers in the group, and they continued to read my work-in-progress. That was my novel, Lifting Up Veronica.
When we moved to Seattle, I wasn't able to hook up with another group, and my work suffered, I think. Then in June, Jordan, the managing editor at Every Day Fiction, was kind enough to set up private space at the EDF web site, and the Every Day Fiction Writers' Group came to be.
In the four months since then, I have found that there are differences between a face-to-face group and an internet group; good and bad.
The bad is that you have to post work to be critiqued and wait, for which I have no talent. Life makes demands; not everyone in the group has the amount of time I have to devote to the group, and so those waits can be frustrating.
For the good, critiques, when they come, are less complicated by the hangups of face-to-face communications; and when presented by someone who truly is interested in helping you improve your writing, the results can be incredible.
That has been the case; I have come to value the opinions of the other writers in the group in a very short time; and the stories we have been critiquing for each other are starting to find their way into print.
The Banshee by Sylvia Spruck Wrigley was in Every Day Fiction this month, and got rave reviews; Dave MacPherson has a nifty tale about a sea serpent and some art students coming in October in Abacort Journal and my flash, Stand and Deliver, is in the fall edition at Boston Literary Magazine.
Stand and Deliver is a great example of the magic of a critiquing group.
It is a tale of the Pizza Dude; I conceived the character as an unassuming fellow with superpowers, who uses his ability to manipulate the flow of time to help him in his chosen work. Delivering pizzas. However, he is not above acting as a good Samaritan when the need arises.
I was so pleased with the results, and when I submitted it to the group, Dave MacPherson posted almost right away, praising the story, calling it "fast and funny". And then he said, "My one question. Is the fantasy element necessary at all?"
Was it? I rewrote the story and Dave was right; the Pizza Dude didn't need superpowers to be a hero. And the story wasn't different, just better. It was right there in front of me, but I was too close, too invested in what I already wrote, to see it.
I liked the rewrite so much, I sent it to Boston Literary Magazine, a site I have been trying to crack, and the editor replied twenty-four hours later; she said, "Fantastic. I love it. You nailed the sense of a True American Hero ... a great, great job!!"
What writer doesn't love to hear such words.
Thanks, Dave; I owe you one.
If you would like to read the Pizza Dude's adventure, check out Stand and Deliver at Boston Literary Magazine.
My stories tend to be heavy on satire or mayhem, so I am particularly pleased that the folks at EDF decided to publish Barber's Chair. It is a love story, with a fantasy twist, and it is light and upbeat. In fact, this is so out of character for me, that when Rachael read it, she deadpanned, "What? Nobody died?"
BTW: the neon signs that start Cora on her journey are real; although in the real world, and upon examination in the light of day, it can be seen that they belong to two different side-by-side shops. Too bad; the world could use more barbers like Gideon.
Anyway, the link below will take you to EDF. There's a spot to leave comments, too, or to give the story a rating up to five stars.
I hope you like I Must to the Barber's Chair. If not, I offer my apologies and the promise that there will be another story along tomorrow to takes its place.
Folks have differing definitions of flash fiction, but the one that seems to be shared more and more is a complete story under one thousand words.
A complete story presents all the necessary elements of fiction -- characterization, setting, conflict and resolution; not an easy chore in so few words. It's like sticking a moving dismount from a balance beam; difficult to pull off but a thing of beauty when done right.
I think that happened today. Against The Grain is a blend of humor, science fiction and murder mystery. It is set at the Washington State Convention Center in downtown Seattle and is the second appearance, in one of my stories, of Seattle Police Detectives John Osbourne and Dorothy Gale. I like the two of them well enough that I hope to involve them in future stories.
Writing this way is so much fun, and when the characters start to whisper in my ear, to tell me how the story should progress, it is such a high. The words rush by and I have no idea the time has passed.
As to whether or not I stuck my dismount; I just sent it off to Jordan and Camille at Everyday Fiction. We shall see.
It is, no pun intended, a shaggy dog joke; if it were a Monty Python sketch, Eric Idle would be waggling his eyebrows, doing some elbow-poking and spouting "Nudge, nudge; wink, wink. Know what I mean? Know what I mean?" I think all sorts of things are funny, but I have a weakness for this sort of humor; sometimes, I think I should just be taken out back of the barn and shot.
The link below will take you there; give it a look. It won't take long and there's a spot to leave comments or give each story a rating up to five stars.
I hope you like Hair of the Dog. If not, I offer my apologies and the promise that there will be another story along tomorrow to takes its place.